Tag Archive | "detail"

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Stationary Shoulders

Posted on 04 October 2008 by admin

I've just had a mind blowing class. Not mind blowing because some complicated technique was revealed, but quite the opposite. This was something very basic, something very simple to understand but very difficult to do. As with every basic principle, its mastery is crucial if you want to progress to a higher level. So what is this crucial principle? Not moving your shoulders when you bong sau, tan sau, wu sau etc.

The teacher today (not sifu) noticed that we were all distorting our positions and tensing our shoulders when we chi saued, so he stopped us and got us to follow him. We stood in basic stance, right hand in a wu sau and proceeded to move into a bong sau > tan sau, back to wu sau. Every one of us moved our shoulders, some more than others and some even stretched their shoulders forward. Bad, bad bad! The shoulders must remain immobile and relaxed whilst moving into those different hands.

Why Keep Your Shoulders Still?

If you move your shoulders when moving between the different hands, the following can happen:

  • the shoulders become tense making it very easy to lap sau your bong sau
  • you commit yourself to a certain position instead of remaining neutral and relaxed
  • if your shoulders are misshapen and tense it makes the transition into the next position slower
  • you are not as balanced as you could be
  • your opponent can feel what your intention is

Sifu is a perfect example of this principle. He moves seamlessly from whatever hand to whatever hand keeping shoulders relaxed and immobile, yet his gung lik is very strong. He's also very quick.

Exercises To Develop Relaxed Shoulders

Understanding what we need to do, and the reasons why are all very well, but how can you just do it? Well, you can't. You have to practise. I asked whether the best approach to take was to deliberately practise hand movements whilst minimising shoulder movements or to just practise our usual routines whilst placing special attention on correcting the shoulders shoulders. The teacher let us in on his little practise sessions for this:

  • adopt the basic stance with one hand in wu sau
  • turn to the left and bong sau
  • turn to the front and wu sau again
  • repeat this many, many, many, many times, bringing awareness to how much your shoulders are moving. Try and minimise this movement
  • when you've worn out your bong sau replace it with other hands like gang sau and tan sau
  • when you've worn those out, try mixing up random sequences, both to the right and the left

The devil really is in the details. The above may sound a little tedious and boring, but you have to ask yourself how good do you want to get? And how much do you want that? If you want to progress as far as you can, these tedious little exercises must be performed, and these trivial little problems must be ironed out.

The problem with deconstructing the very fundamentals of your skill when you chi sau is that you will get hit. It's like going back to the beginning and learning everything again, but with a special eye on the finer details now. And we should get hit, because our technique is not as good as it could be. The teacher today had a perspective on this that I liked. He said that we should be brutally honest with ourselves and with our partners. If they don't take advantage of our bad technique and hit us then they are lying to us and cheating us. And if we don't notice and try to correct our technique, then we are lying and cheating ourselves. As is so often forgotten, the class is not about winning, it's about studying. And it's not personal. I agree with hime wholeheartedly.

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The Devil Is In The Details

Posted on 13 August 2008 by admin

At my last class I was waiting around for someone to chi sau with so I thought I'd make constructive use of the time by practicising the siu lim tau form. I wasn't expecting my sifu to watch and assess but he did anyway. I'm glad he did because he gave me a long list of things I was doing wrong, and what I need to do to correct them. Here's the list:

Marking The Centre

Very sloppy! I didn't notice (we never do) but I guess my hands must have been flapping about loosely. Their movement should be well defined and precise like all the other movements in the form.

Wrist Strengthening

The next bit, the punch, after which the hand opens, bends up, rotates round, the fingers curl up one by one into a fist. That bit there, where it's the wrist snapping up that puts the power into the punch (is it like a one inch punch...?), that bits important. It's included in the form to strengthen the wrist for just such a purpose: punching.

Wu Sau

In the first part of the form after I've extended the tan sau slowly and amd slowly returning my wu sau, I bring it too close to my chest. In fact, it's nearly touching. A collapsed wu sau like this is neither use nor ornament. It should be maybe 2 fists away from my chest. I'll see if I can get some diagrams together to illustrate, but you get the idea.

Hoon Sau

In the second section, after the gang sau, low gang sau, the second gang sau (although I believe some variants of the form do a tan sau here) there is the hoon sau. Here I was actually drawing my arm back as I rotated the hoon sau so that my elbow moved closer to my body - wrong! I guess I was doing that to give myself more power in the dai jurn (probably spelt wrong - I need to find the proper spellings for these techniques :) ), but it's still wrong. Instead, after the last gang sau the whole arm must remain motionless apart from the hand from the wrist up, which rotates in the hoon sau.

Bong Sau To Tan Sau

I thought I was getting this right, but I obviously need to tighten it up. I certainly think about these points as I'm doing it but it always helps when someone points out that you're not actually doing what you think you're doing. The transition from bong sau to tan sau: the wrist must remain stationary, as if it is a pivot for the movement.

Punch The Face

The very last 3 punches I was aiming around chest height but they should have been head height.

You know what, maybe I'll put together some video footage to illustrate these points. I've always shield away from indulging in stuff like this because I ain't perfect. But what the hell. I'll look up prices of video cameras. Maybe the fear of showing myself up will force me to practice more!

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